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BA DA DA DAA1986I am a one legged man bobbing through traffic, drifting away. Francis
is at his weather map and Debbie McGhee beside me. Frank Bough’s
soothing fruity tones are soporific, hypnotic. Tom seems to be handling
him awfully well. The sofa is a giant pair of lips, whispering sweet nothings
to me. Then the camera swings full face and I wake up fast. |
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Exotically attired male models began forming up for the fashion spot, which was next up. They were very beautiful. Tom’s eyes were moist. He was whimpering like a puppy on a leash with the field in sniffing distance. Frank leant across at him, conspiratorially. “I wish I could wear clothes like that.” |
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Five weeks at number one had bestowed upon them a certain
aura. |
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The other new guy was there, Gary. He did trumpet impersonations
on Esther Rantzen’s ‘That’s Life’. He looked like
a cross between Max Headroom and the front end of an ‘e’ type
jag. He was handsome in a Sherlock Holmes kind of way and laughed a lot,
though the eyes were watchful. His hair was prematurely grey and he smoked
his cigarette like a girl, narrowing his eyes as he did so. The eyes were
bedroom and the voice smooth, too smooth We were as different as two new
boys could be but we had our new boy status in common and were younger
than the others, so we bonded. |
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For our second excursion, miming got even easier. We were lip-synching on the radio! Yes, such a thing exists. Work doesn’t get any easier than miming on the radio – especially in Belgium. We fell out the van late and wandered in through the nearest door, only to find ourselves onstage in a room combusting with applause. Happy faces shone up at us. “Here at last!” crowed the presenter. A track began playing. Only the Lonely. Only the Lonely? We don’t do Only the fucking Lonely! Do we? I looked uncertainly across at Rick who nodded minimally in answer. I had no idea how the arrangement went. ‘Dum dum dum dumbeedooah’ I sang, walking towards a dead mic. glaring at David. He was too busy to notice. He was preening himself for a lead vocal, I could tell. ‘Woah woah woah – yay-yay-aah’. I could feel myself growing hysterical. I felt like Eric Morecambe, crossing the back of the stage with his shopping bag on the way to the bus stop. I was part of the act, and yet I wasn’t in on it. |
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We drove to Holland for a residency in a small theatre in
Amsterdam. The wives arrived. Suddenly it all became rather… cosy.
Domesticated would be the wrong word. Mo – Ken’s girlfriend
– was an avant garde performance artiste more at home talking about
drum machines than washing machines and Bunny – Rick’s girlfriend
– seemed to have blown away the back of her throat in an avalanche
of coke. Only Pat was normal, and Pat’s not normal. But at least Pat
and I were abroad together for once. Holland was flat but it sure wasn’t
Lincolnshire. We visited Ann Frank’s house and by way of contrast
the Museum of Sex with its photographs of men with unfeasibly long penises.
We got stoned in a Bulldog café, emerging beatifically into the street,
sending cyclists colliding. We trod in dogshit, crossed a square with more
mime artists in it than pigeons and headed into the theatre for the band’s
first live date. My first gig. We Flying Pickets hit the stage and two girls leapt to their feet to dance. A bouncer tried to remove them. Ken stepped forward, mid song. “Leave them alone, you fascist bastard!” he stormed. Cheers. A prolonged stamping of feet. The show was easy after that, in the pocket. It had been a stroke of genius. The two girls, of course, talked all the way through and heckled us for being too old. We had them removed to the back. Gareth was responsible for most of the banter and very good at it he was too. “I’d like you to imagine you are standing on an English pier,” he said. “Lord Whitelaw, for preference.” My first lead vocal – Young and In Love – came and went. “For those of you interested in sartorial elegance,” said Gareth pointing to my green jacket, “the rest of the carpet arrives on Tuesday. Those trousers are also available in his size.” Gary pinched Ken’s arse on stage and got a laugh. Ken found it an offensive gesture. He berated Gary after the show. ‘I felt patronized. It assaulted my dignity. I also found it offensive to Gays.” “Bullshit!” Gary and I exploded in unison. “No, no, I agree with him” said Gareth. I went off to forage for food. The theatre manager gave me a free meal in the restaurant. Fourteen members of the audience sat around the big white table watching my every mouthful in silence. A woman next to me spoke in Dutch to her friend, touched my cheek, and laughed. “What did she say?” I asked the friend. “She says on stage you are beautiful and off stage you are ugly.” Obviously, this was the kind of thing I was going to have to get used to. Last night’s review was open at the page as we came in the dressing room, next day. “What’s it say about me?” I asked Theo the promoter. Theo looked embarrassed. “Spit it out Theo,” Gary encouraged. “Hereward Kaye sang with the beautiful airy freedom typical of the Welsh voice,” he read, “despite the strangling effects of his trousers.” |
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And so it came to pass, one failed single, one Spanish
T.V appearance, one Belgian radio fiasco and a few gentle dates in Holland
later that we were ready. The great British public awaited. We unveiled
the new line up on the stage of The Hackney Empire, over three nights,
just before Christmas. We had a backdrop of the Leningrad skyline. During
‘Space Oddity’ a hardboard Karl Marx flew across it, hammer
and sickle in hand, dressed as Santa. I had died my hair purple for the
occasion and borrowed Ken’s black leather jacket. |
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Looking down from the balcony, Brian Hibbard – the one
with the sideburns – got up and left, halfway through the show. “You can’t watch your old group.” he told Gareth. |
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Web design and occasional backing singing: Nicky Furre - See www.nickyfurre.com |